Musician Mike Joyce Celebrates The Smiths’ Lasting Legacy

The impact of iconic British band The Smiths is celebrated in a new biography by drummer Mike Joyce, titled *The Drums*. This work stands out as a heartfelt tribute to the band, positioning them as one of the most significant forces in music history. Joyce’s perspective sheds light on the band’s influence, particularly when compared to landmark groups like the Sex Pistols.

Joyce argues that while the Sex Pistols ignited the punk movement, it was The Smiths who revitalized music with a fresh wave of creativity. Their debut single, “Hand in Glove,” performed on the popular music show Top of the Pops, signaled a resurgence in the music scene. “We may be hidden by rags, but we have something they’ll never have,” Morrissey sang, expressing the band’s distinctive ethos and connection with the youth of that era.

By 1980, the music landscape was shifting significantly. With songs like “Going Underground” by The Jam, “London Calling” by The Clash, and “Love Will Tear Us Apart” by Joy Division dominating the charts, punk’s influence was evident. Yet, as the early 1980s approached, the rise of Duran Duran and the New Romantics seemed to steer music back toward glam and superficiality. This shift left many disillusioned, prompting some to step away from the music scene entirely.

Enter The Smiths. The band’s arrival marked a pivotal moment. Morrissey’s unique style—characterized by unbuttoned shirts and flowers tucked into pockets—captured the attention of a generation. Their second single, “This Charming Man,” reinforced their status as innovators. With lyrics that reflected the struggles and aspirations of youth, they became a voice for a new generation. “I would go out tonight, but I haven’t got a stitch to wear,” resonated deeply with listeners, encapsulating feelings of inadequacy and longing.

As new bands emerged from the remnants of punk, many embraced the influences of The Smiths. By 1985, the band’s single “How Soon Is Now” further solidified their position in music history. The lyric “I am the son and the heir, of a shyness that is criminally vulgar” showcased their literary prowess, effectively blending poignant narratives with accessible music.

The Smiths released a remarkable 16 singles during their brief career, a feat that is often compared to the Beatles, who released 22 singles over a longer span. Joyce emphasizes that the partnership of Morrissey and guitarist Johnny Marr was a significant force, producing profound music in just over four years. Had they continued, Joyce speculates they may have surpassed the Fab Four in output and influence.

Joyce’s biography, filled with personal anecdotes and reflections, captures the essence of what it meant to be a fan during The Smiths’ heyday. He reminisces about the days before the internet, when music lovers sought out connections in record shops and intimate venues. His insights provide a nostalgic look at a time when music was both a personal and communal experience.

As a self-described “pragmatic, content man,” Joyce’s passion for The Smiths shines through in his writing. His affection for the band’s work is evident, offering a nuanced understanding of their legacy. The biography serves not only as a love letter to The Smiths but also as a reminder of their profound influence on music and culture.

The excitement surrounding this biography highlights the enduring appeal of The Smiths, a band that continues to inspire musicians and fans alike. Through Joyce’s lens, readers are invited to rediscover the magic of a time when music was a powerful means of expression and connection.