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Brendan Gleeson Returns to Stage After 10-Year Hiatus in Dublin

URGENT UPDATE: Irish actor Brendan Gleeson is set to make a highly anticipated return to the stage after a decade-long absence, opening The Weir at 3Olympia Theatre in Dublin on August 13, 2025. This marks a significant moment for Gleeson, who has been a beloved figure in both film and theater, known for his roles in critically acclaimed films like The Banshees of Inisherin and Joker: Folie à Deux.
In an exclusive interview, Gleeson expressed his excitement mixed with nostalgia, reflecting on the changes in his public life. “I can’t go into a pub anymore. It turns into selfie country,” he said, lamenting the loss of simple moments that once brought him joy. The 70-year-old actor, a father to fellow performers Domhnall and Brian Gleeson, is now busier than ever, stating, “I haven’t time to wash my face.”
Gleeson’s return to the stage comes with the direction of acclaimed playwright Conor McPherson, who wrote The Weir. The play, set in a bar in Co Leitrim, revolves around a group of friends whose lives are touched by a stranger’s emotionally charged story. “It’s a beautiful piece of work,” Gleeson said, emphasizing its relevance amid today’s chaotic world.
Rehearsals are currently underway, with cast members diving into their roles. Gleeson’s performance as Jack promises to captivate audiences, as he brings his unique blend of humor and depth to the character. The production runs until September 6, 2025, before transferring to the Harold Pinter Theatre in London from September 12 to December 6, 2025.
Gleeson’s career spans decades, showcasing his versatility across genres and mediums. From his breakout role in The General to his Academy Award nomination for The Banshees of Inisherin, he has consistently captivated audiences. His reflections on the evolution of public interaction highlight the challenges faced by celebrities in today’s digital age.
“I draw the line at funerals,” Gleeson remarked, illustrating the uncomfortable reality of fame. With mobile phones dominating social interactions, he finds it increasingly difficult to enjoy spontaneous moments of connection, particularly in intimate settings like pubs.
As Gleeson prepares for his comeback, he acknowledges the support from his family and the excitement surrounding the opening night. “It’s like Irish theatre royalty,” said Anne Clarke, co-producer of The Weir, regarding the expected guest list for the premiere.
This return to the stage is not just a personal milestone for Gleeson but also a significant cultural event for Ireland’s theater scene. With growing anticipation, fans are eager to witness his performance, making it one of the most talked-about events in Dublin this summer.
The Weir opens its doors to audiences on August 13. Tickets are expected to sell out quickly, reflecting Gleeson’s enduring popularity. As he embarks on this new chapter, Gleeson remains committed to his craft, with plans to take time off after the show to recharge.
“I have to take a break. This year and last year was too much,” he admitted, emphasizing the need to reconnect with himself and the world around him.
Stay tuned for more updates on Gleeson’s performance and the impact of The Weir on the Irish theater landscape.
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