New Book Reveals The Pogues’ NYC Magic and Music Journalism’s Glory

URGENT UPDATE: Renowned music journalist Stuart Bailie shares captivating memories of The Pogues and their iconic song “Fairytale of New York” in his new book, The Song Is Nearly Over. This nostalgic journey takes readers back to November 2023, when Bailie filmed the music video in the vibrant streets of New York City.

Bailie calls the experience “brilliant,” reflecting on his first visit to the Big Apple. “I’d never been to New York before, and the craic was amazing,” he recalls. His book, a treasure trove of insights from over 40 years in music journalism, explores the evolution of modern Irish music and the transformative power of artists like The Pogues, U2, and more.

This release is timely, coinciding with a resurgence of interest in Irish music and its cultural significance, especially amidst ongoing social issues. Bailie’s anecdotes from his early days include wild parties at the Gramercy Hotel and unforgettable encounters with legends such as Joe Strummer and Matt Dillon.

In his collection, Bailie recounts pivotal moments that shaped the music scene, highlighting the interconnections between artists and their influences. “The Pogues became the soundtrack to my new life,” he explains, capturing the emotional weight of his journey from Belfast to London during The Troubles.

The book also reflects on the intense rivalry between Blur and Oasis, which Bailie famously ignited with a controversial NME cover in August 1995. This sparked a media frenzy that changed the landscape of Britpop. “If NME hadn’t done that front cover, it wouldn’t have kicked off,” he asserts, proving the power of journalism in shaping public perception.

As discussions around mental health and the pressures within the music industry evolve, Bailie revisits his interviews with Richey Edwards of the Manic Street Preachers, grappling with the raw emotions surrounding these tragic stories. “Those were amazing days, but they taught us hard lessons,” he reflects.

Bailie also addresses the changing political landscape in Northern Ireland, recalling pivotal moments that intertwined music and social progress, such as the historic handshake between John Hume and David Trimble at a U2 concert. This narrative resonates today, as Bailie remains active in current social movements, including protests regarding the war in Gaza.

His journey continues to inspire, as he learns Irish at the Turas Centre, embracing a new generation of artists who are reshaping the music scene. “There’s a whole colony of bands really in the moment,” he enthuses, highlighting the vitality of contemporary Irish music.

Bailie’s reflections on the legacy of artists like Shane MacGowan and the emotional weight of loss resonate deeply. “Music is still helping us learn what this island is,” he concludes, emphasizing its role in navigating cultural identity.

The release of The Song Is Nearly Over is more than just a collection of essays; it is a vital exploration of music’s impact on society, urging readers to reflect on their own connections to the soundtrack of their lives.

As Bailie’s reflections and experiences come to light, fans of music journalism and Irish culture are reminded of the profound influence of artists and the stories that connect them. This book is a must-read for anyone looking to understand the rich tapestry of music history and its ongoing relevance today.

Stay tuned for more updates as Bailie continues to share his journey through the world of music and storytelling.