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Louis Walsh Supports RTE’s Eurovision Boycott, Calls for Winning Song

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Louis Walsh, a prominent figure in the Eurovision community, has expressed his support for RTE’s decision to withdraw from the upcoming Eurovision Song Contest in 2026, scheduled to take place in Vienna. The Irish broadcaster announced it would not participate if Israel is allowed to compete, citing the ongoing humanitarian crisis in Gaza as a primary reason for their stance.

Walsh, who has a rich history with the contest, has managed Johnny Logan to two Eurovision victories and has been a vocal supporter of the event for decades. He described RTE’s decision as “regretful,” but indicated that he understands the political implications behind it. “I’m happy if they have political reasons to withdraw,” he stated in an exclusive interview.

Long History with Eurovision

Walsh’s relationship with Eurovision spans over six decades, during which he has contributed to the success of various acts. He emphasized the importance of winning for Ireland, saying, “We need a win in Eurovision. I have some great songs.” His passion for the event is evident, as he often refers to Eurovision as “kitsch, camp, and enormous fun.”

Earlier in his career, Walsh’s first win with Logan propelled him into the limelight, opening many doors in the music industry. Reflecting on his journey, he noted, “Eurovision opened up a lot of doors and gave me loads of ideas.”

The decision by RTE to withdraw was made official on Friday, with the broadcaster stating that participation would be “unconscionable” in light of the ongoing violence and loss of life in Gaza. The statement also highlighted concerns regarding the safety of journalists and the plight of hostages in the region.

Reactions from the Eurovision Community

The reaction to RTE’s announcement has been significant, with other countries, including Spain and Slovenia, also threatening to withdraw from the contest if Israel is allowed to participate. The European Broadcasting Union (EBU), which oversees the event, stated that it is up to each member state to decide their participation.

In its statement, RTE clarified that it would not broadcast the semi-finals or the final of the Eurovision contest next May if Israel is involved. They emphasized their commitment to covering sporting events involving Israel but felt that the context of the Eurovision competition warranted a different response.

As the Eurovision Song Contest approaches its 70th edition, the implications of political concerns on cultural events like Eurovision continue to draw attention. With Walsh’s backing for RTE’s decision, the conversation surrounding the intersection of politics and entertainment remains at the forefront of public discourse.

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