Discover Four New Films This Week: From Spike Lee to Ethan Coen

This week showcases a diverse range of films, including works from acclaimed directors such as Spike Lee and Ethan Coen. Audiences can explore themes of resilience, human connection, and the complexities of life in four distinct cinematic offerings: *Highest 2 Lowest*, *The Cut*, *Sanatorium*, and *Honey Don’t!*.

Spike Lee’s *Highest 2 Lowest* Delivers a Mixed Bag

Directed by Spike Lee, *Highest 2 Lowest* stars Denzel Washington as a record executive embroiled in a kidnapping plot. The film draws inspiration from Akira Kurosawa’s *High and Low* and runs for 134 minutes on Apple TV+. It opens with a striking shot that sweeps across New York City, showcasing Washington’s character in a moment of triumph to the tune of “Oh, What a Beautiful Mornin’.”

Despite this powerful beginning, the film struggles to maintain its momentum. Critics note that the action sequences feel lackluster, and attempts to connect with contemporary music culture appear misguided. While the film is engaging, it ultimately fails to deliver the emotional depth one might expect from such a talented cast, which includes Ilfenesh Hadera and Jeffrey Wright.

Boxing Drama *The Cut* Fails to Land a Knockout

In *The Cut*, directed by Sean Ellis, Orlando Bloom stars as an aging fighter seeking one last chance at glory. This 96-minute film, rated 15A and released in limited theatres, diverges from traditional boxing narratives by focusing on the weight-loss struggles that athletes face.

Critics describe the film as peculiar and somewhat clichéd, with more emphasis on bodily functions than on the sport itself. John Turturro plays a ruthless trainer, yet his efforts do little to elevate the film’s overly broad and implausible plot. Ultimately, *The Cut* fails to resonate with audiences despite its ambitious premise.

Documentary *Sanatorium* Offers an Intimate View of History

*Sanatorium*, directed by Gar O’Rourke, takes viewers to the Kuyalnik sanatorium, a historic health resort near Odesa, Ukraine, established in 1833. This 90-minute documentary, which currently lacks a certification, captures the essence of life within a longstanding Soviet institution renowned for its therapeutic properties.

O’Rourke’s feature-length debut presents a mesmerizing portrait of the sanatorium, likened to the whimsical setting of Wes Anderson’s *Grand Budapest Hotel*. However, unlike the fictional narrative, *Sanatorium* emphasizes genuine human connections, marking Ireland’s submission for the Best International Feature at the 2026 Academy Awards.

Ethan Coen’s *Honey Don’t!* Misses the Mark

Finally, *Honey Don’t!*, directed by Ethan Coen, features Margaret Qualley as a private investigator entangled in a narrative involving a low-rent religious cult and multiple murders. The film, which runs for 98 minutes and is rated 16, attempts to provide a fresh, self-aware take on noir conventions.

Despite the film’s notable production quality and the stylish costumes designed for Qualley’s character, critics find it lacking in plot and character development. Described as an exercise in “nothingness,” the film struggles to find a compelling narrative, leaving audiences wanting more substance.

In summary, this week’s film offerings provide a mix of ambition and disappointment. While *Sanatorium* stands out for its historical significance and intimate storytelling, the other films, despite their star power and directorial pedigree, often fall short of expectations.